Over the centuries, literary narrative, as we have understood it, has been built primarily on text. However one wishes to organize narrative—whether through standard linearity or a willy-nilly approach—words/language have been at the forefront of our storytelling apparatus. Even the most experimental writers have stuck to that tried-and-true formula. The only break (I am aware of) with this well-worn paradigm is the so-called graphic novel (full-length comic book), whose narrative develops through both textual and […]
Duchamp didn’t want to be part of any movement or group (at least officially), if I’ve made sense of this interview. ……..Extrapolation…… Anti-poetry should disdain all established forms of poetry. Anti-poetry should not even be termed “anti-poetry.” Total negation is creation.
A new mixed media genre would encompass embedding text (poetry, prose) into a visual (or patterned) environment. This would all be formulated (created) using a computer. The reason it is a novel approach is because concrete/visual poetry was, at least historically, created using typewriters. We are now in an age in which the creative process begins and ends with the computer. In a previous post, I argued that the computer is opening up radically new […]
Roughly five years ago, I began experimenting with language. I was intent on writing a “long poem”, in the vein of Silliman’s the Alphabet. Undoubtedly, an ambitious effort on my part. But, dammit, my language was stilted and derivative. This had been done before, way back in the 1970’s. It was dated and stale. My poem was stagnant, immobile. I was trying desperately to inject some life into lifeless verbiage. This is what ( I […]